Graham and Lauren are one of those couples that the second you meet them, you feel you’ve known them for ages.  Wonderfully warm, genuine, and downright gorgeous to boot, they were a joy to work with.  For them, it began with a crush on each other in High School, going to college, and eventually living together in France.  The couple was wonderful enough to accept my offer to shoot an engagement video that you can see here.  Through both the video and the wedding they were so accepting and trusting; it made my entire experience a wonderful, exciting shoot.

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Lighting And Set:

As you would expect, most of the outdoor shots were shot in natural lighting; it was a beautiful day.  Again, I feel that while strobes can be a great asset, they really detract from the environment and interrupt the ceremony for those attending.  Therefore during ceremonies I rely quite a bit on natural light and my f/1.8 and f/1.4 lenses.  In the church for the family portraits I used a 4 light set up with a strong backlight to provide a dynamic set up, spicing up otherwise typical shots.  Finally for the reception, I set up two lights on each side of the dance floor, one with a beauty dish, and 2 more at the back of the hall directed towards the dance floor.

Photo Notes:

This wedding was shot nearly 80% on the 35mm f/1.4 L lens.  I absolutely loved it.  Mixing this lens with the 85mm f/1.8 and my tilt-shifts made it so easy to play with focus throughout my entire focal length set up.

Gear Used:

Canon 5D MKII

Canon 24mm TS-E f/3.5 L lens

Canon 85mm f/1.8 lens

Canon 35mm f/1.4 L lens

Canon 45mm f/2.8 TS-E lens

Canon 24mm f/3.5 TS-E lens

Edit:

Swapped out photographs for larger resolution.  I think I may keep this format for future posts.

Graham and Lauren Engagement Video from Adam Arcus on Vimeo.

Lighting And Set:

This video was done all in natural light on a perfectly cloudy day.

Video Notes:

I have been dying to use my 5D’s video capabilities more. Seriously. I have been burning more to do this than I imagine the basis of Kings of Leon’s Sex on Fire does. Film is truly where my heart has always lied and photography has been a great way to slowly get into it. I approached Graham and Lauren – as I am doing their wedding and they were opting out of engagement photographs due to their being engaged for a while – and presented the idea. I asked if, as a favor, they would like to star in a video shoot free of charge as long as I got to use it on my website to promote my future endeavors with Engagement videos. Luckily for me, they concurred and here we are (to take a line from Lauren).

Graham and Lauren were an absolute joy to work with. They obeyed every awkward virgin directorial command I had, with no questions. It was as perfect, other than a slightly gloomy Saturday, as you could get. The two of them obviously love each other very much and showed it with such enthusiasm it made my job quite simple.

Perhaps a mic that possessed a large windmuff and if I had the braincells to utilize the low pass filter on the mic would have been more beneficial . And that damned airplane was barely audible when we were there from my memory so I’m flabbergasted at how loud it is when Lauren talks. Other than those small gripes, it was sublimely ideal.

This was edited on Windows Live Movie Maker, which to say the least is not exactly the most powerful film editor out there. However, at the moment it is what I have. Honestly? If you do enough right on camera, there’s not much need for tweaking later. Much like photography. Sure eventually I’d like to be able to edit the colors and visual style of the film but at the moment it’s a decent tool just to piece together the clips in a pleasing way. I assure you, the future holds much more advanced editing software and a computer capable of handling it.

All in all I am very happy and proud with the result. I think it showed Lauren and Graham’s love in a very positive fun way and I think that it was a great jumping place for me to get more into shooting in motion.

Gear Used:

Canon 5D MKII

Canon 24mm TS-E f/3.5 L lens

Canon 85mm f/1.8 lens

Canon 45mm TS-E f/2.8 Lens

Redrockmicro eyeSPY camera rig

DIY glide dolly

Behind the Scenes:

All the following photographs are taken by and copyrighted to Karen Benda. A ginormous thank you to her for documenting the event!

If you have seen my facebook page then you have heard what I plan on doing.  The people of Japan need our help:  citizens and rescue teams alike.  I am offering $200 1 hour photoshoot sessions with all of that money going to the Red Cross.

I’d hope this would simply be understood but I want to assure you that what I am doing here is not a self-promotion at all.  While it would be great I am not looking for new leads or repeat business.  In fact if I could somehow take my name out of all of it, I would.  Something that comes to mind is an anecdote that has been told to me over the years.  It’s a great line in Superman the movie where Clark’s father tells a young Clark Kent when he is upset about having to hide his powers while playing football.  He says,

“[...] That is, you are here for a reason. I don’t know whose reason it is, or whatever the reason… maybe it’s… I don’t know…. but I do know one thing: it’s not to score touchdowns.”

I don’t feel that I am superman.  I do feel that this is something we can all take to heart when thinking about all the things we do in life.  I have often admired those who have dropped everything and taken up photojournalism to spread the word of what is happening in the world a la the amazingly talented photographers ostentatiously aggregated at The Big Picture.  While I am not at a point in life to be able to do that, I do feel that I am able to help.

It comes down to this, an awesome way for you to get those photographs that you have been wanting and needing for a bit of time now and to do something wonderful for the world.  I’m going to break this down into a few sections that will hopefully explain how everything will go down this next week.

The Situation:

Not that “Situation”, this one actually means something.  Last Friday an earthquake, which scaled at 9.0 on the Richter scale, blasted 8o miles off the coast of Japan.  This is one of the largest known quakes in Japan’s modern history and one of the largest in recent years globally.  Not long after, due to the quake, a tsunami washed over many parts of the coast of Japan destroying villages and people’s lives.  The footage online is obscene, watching it you feel as though something like this cannot possibly be real.  It is.  In fact, it is very real.  The death toll is still climbing, the amount missing still not entirely known.  Nuclear disaster seems nearly imminent and we can only pray to whatever God or gods or positive spiritual entity in which you believe that they are able to stave off such a disaster.

However, there is good.  Human nature is good, the Red Cross gives on average 91 cents on the dollar that is donated to them.  Artists abound are donating their time and effort in donating money for these causes.  It is times like these that make you want to step up and start making a difference.  I feel as if this is my time to help in the way that I know I can.

The What:

$200 1 hour long sessions in which all of the proceeds will be donated to the Red Cross for relief in Japan.  I don’t care what this session is for (within reason, of course;).  If you want this to be for your Engagement Shoots, awesome.  If you want to take concert shots, great.  Studio shots?  Fantastic.  Headshots?  Yes.  Fashion shoots for a portfolio?  Perfect.

I only have a few stipulations and I will list those later.  The point is, if you have a photographic need of any kind, now is the time to take advantage of this.  Sessions that are typically $250 are discounted and all of those funds.  Every last penny.  It’s going to help those in need by this disaster.

The When:

Sessions need to be booked by next Wednesday, March 23rd 2011, and paid for in full by next Friday, March 25th 2011.  Sessions need to be fulfilled before the end of August, 2011.

The Who:

You.  Bring yourself, bring friends, bring lovers, bring enemies.  It doesn’t matter.  Just get ready to have an awesome time for a great cause.

The Where:

Unfortunately, and this is one of those stipulations, this deal is limited to those in the greater Milwaukee and Chicago areas.  If I can easily make it to you, by my judgment, by car from Milwaukee then please.  Participate.   Unfortunately, I cannot simply afford to travel and donate all proceeds.  However, if you do want to pay for my travel costs and then the $200 on top for a donation and it is able to be scheduled out, then by all means I am down and I am game.

The Fine Print:

Why am I putting a time limit on this?  Honestly, I don’t know the response.  This could flop and I may not get any responses.  Or this could go even crazier than I expected.  Without this being my full time profession I only have a limited amount of time that I can physically devote to sessions.

Why paid for in full in advance?  I simply cannot afford to foot a bill on this one.  The sole purpose of all of this is to raise money that I would not typically be able to donate myself for a situation that is heartbreaking to me.  This is also about commitment, it would be one thing for me to track someone down to pay me for services I have given but I feel it sort of breaks a whole new slew of ethical violations to make me track someone down – for whatever reason – for a charitable cause.  That doesn’t really matter though, you want to donate.

Why is it that only awesome places like Milwaukee and Chicago get to take advantage of this?   Like I stated before, it is due to travel costs.  I cannot afford to travel much without compensation and this is not about being compensated.  It’s about giving.

Finally, these have to be new requests.  If I have been in talks with you about a photoshoot, engagement shoot, etc then this offer, unfortunately, does not apply.  I sincerely appreciate your desire to donate but it is simply too complicated for me to logistically tackle this on my own if this is not a separate entity.  This is new photoshoots that are being proposed to me starting today and going through next Wednesday.  I want the sole purpose of these shoots to have originated with the idea of giving to this fund in mind.

What do you receive?

The last point to address is what are your receivables for doing this.  I am so grateful that you are looking into doing this that I want to send you a specialized receipt stating what I have done with the money and how awesome you are for helping out.  On top of that you will receive a proof of delivery for the $200 to Red Cross.  Thirdly, you will receive your photographs, ALL usable photographs (something usually reserved for Weddings & Engagements) from the shoot.  The number of these entirely depends on set up time, repetition and similarity of shots, and technical details such as blur, focus, color, lighting, acts of God, etc.  But trust me, it’s more than you would typically get in any other scenario.  You deserve it.

In closing, please help me help those in need.  Look up this situation that is going on.  Watch the videos, see the photographs, hear their stories.  If you think you have a photographic need in the near future please contact me via this blog, my facebook, twitter @aarcusphoto with hashtag: #ArcJapanRelief, e-mail at adam.arcus.photo@gmail.com, mobile phone, tin-cans, morsecode.  Whatever and however you can.  And finally, spread the word – e-mail this to your friends, lovers, coworkers, enemies, cousins, barbers, etc.  The more we do together, the more we can raise.  If you don’t chose to do this through me, look up those other artists, donate to Red Cross’ text method for donating $10 automatically by texting REDCROSS to 90999, go through Google’s crisis response at http://www.google.com/crisisresponse/japanquake2011.html , other artists: go and do this for your talents as well!  We can make a difference.

My fiancée is wonderful.  When I get new gear in she lets me try it all on her and get used to it before the professional debut.  It is an added bonus that really helps quite a lot.  Here in this shot, I just received my numerous new gear from Midwest Photo Exchange.  If you know me, you know I rarely use flash.  In fact for the longest time I detested it.  However, I have come to realize, for a while now, that there are major bonuses and awesome ways to use it.  I love studio lighting and have used that whenever I could.  To me, flash just gave your photographs a horrible flare with bad color correction.  However, shot through an umbrella with the correct gels or off a reflector does wonders for fill or sole lighting.

Again, I will do a gear review of my new stuff after I used it for a bit but for now here is one of my favorite shots of Elena:

Elena Marie

My Girl



Gear Used:
Canon 5D MKII
Canon 24mm f/3.5 TS-E L Lens
Lumopro 160 Flash
Westco White Satin 43″ Umbrella

I have known these two for ages which made this photo shoot all the more daunting for me.  Literally I remember first grade with Deena and AYSO soccer with Jared.  They were one of those couples that no matter what you always knew they were there, alive, and kickin’.  Growing up with them challenged me to produce some images that encompassed their relationship not only in my mind but hopefully in theirs as well.  The timing of the photography session made this even more difficult as it took place in Milwaukee rather than the Chicago suburbs that I knew them in and was in a semi-cold but just past fall kind of weather.  I had to place all of this to the side and treat them like any other couple I would shoot.  My pre-existing thoughts would muddle the photography session that was before me as the two did not mix.  Fortunately they were wonderful and just radiated their love.

With a couple I don’t know it is so easy to disassociate myself and become the straight photographer.  With a couple I know quite well I feel as that pressure to produce images as awesome as they are is nearly overwhelming, luckily in all of the cases I have done those couples have let me do my thing and not questioned why I was in a bizarre position or why I asked them to do a certain thing.  Questioning a photographer’s reasoning could be the kiss of death to an otherwise extremely creative session.  The best will continue on of course and produce images that are sufficient but once those creative juices are cut short they are hard to recover entirely.

Without further adieu: Jared and Deena.  

Gear Used:

Canon 5D Mk II

Canon 17-40mm f/4L
Canon 85mm f/1.8

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